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Another modest proposal? Science and seriality in Mo Yan’s novel Wa (frogs)

机译:另一个适度的建议?莫言长篇小说《青蛙》中的科学与连续性

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摘要

European Enlightenment thought was the privileged model upon which intellectuals built a Chinese modernity since the decline of the Qing dynasty in the late nineteenth century. Aesthetically, a turn towards literary realism was successfully implemented. These Western legacies dominated the literary field until they lost their persuasive power in the 1990s. Beyond cultural production, the entanglements of a nation in transition with Eurocentric ideological paradigms influenced statecraft and nationalistic thought to our days. In his novel Frogs Mo Yan revisits the heritage of May Fourth modernism to expose its transmogrification into the dehumanizing reality effects accompanying birth control from Mao to the Deng regime and thereafter. Employing images that suggest recent, science-based governance to have triggered local regimes of cosmic un-creation, the novel focuses on a global modernization that is perceived as socially as well as environmentally destructive.
机译:自十九世纪末清朝灭亡以来,欧洲启蒙思想是知识分子建立中国现代性的特权模式。从美学上说,成功实现了向文学现实主义的转变。这些西方遗产主导着文学领域,直到1990年代失去说服力。除了文化生产之外,一个以欧洲为中心的意识形态范式转型的国家的纠结影响了当今的治国之道和民族主义思想。莫言在他的小说《青蛙》中重新审视了五四现代主义的传承,将其变迁暴露于伴随着从毛泽东到邓小平及其后的节育的非人性化的现实影响。这部小说采用的图像暗示了最近基于科学的治理已触发了当地的宇宙创造制度,该小说着重于被视为具有社会和环境破坏性的全球现代化。

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